Archives


Con tecnología de Blogger.

* CONTENTS *

5 jul 2015

Deicida 69 - About Antimusic On Sex






05/07/2015; Deicida 69 published the disk About Antimusic On Sex. A album with one long track Old Noise Style, The album cover was censored in various social networks, among which Facebook.

Is incredible that in the XXI century, the century of technological advances, a philosophy developed, a century of science and "liberalism" (demagoguery of the extreme-right), continue censoring images showing boobs and nipples.

About Antimusic On Sex is an exercise of experimentation than 20 minutes one track, for which basically delay and distortion effects used over a pornographic film that deals with an initiation of a young woman in the lesbianism.

The way the album is presented is a metaphor what means the comercial for anti-commercial, at a glance is the delivery woman to woman, and retail is both fornication.




Distributed by Plataforma Records

10 may 2015

Deicida 69 - Vocem For Atonal Wave: Côte & Ntoa (Dual Disc, Lp).





10/05/2015; Deicida 69 published the disk Vocem For Atonal Wave. A double album with 22 tracks where they mix styles like the Jazz, Old Punk, Grindcore and Ambient Noise. The album is the most complete production of the project, distributed in France and Brazil.



This material was well received by various independent labels and listen, probable effect given the diversity of styles found contained therein.

Deicida 69 is a newcomer on NKS from Mexico.
His double album should seduce people who likes legendary cold punk-gothic-early indus bands like Bauhaus, Psychic TV or Joy Division.
One can guess a true passion for litterature and revolution : the Beat Generation writers famous for their avant-garde poetry, provocative happenings & experiences of drugs or the Marquis of Sade and his sexual wanderings alongside young women somewhere between pain & pleasure. D69 is also clearly influenced by free jazz music in a few tracks. He played or programmed all instruments and recorded his own vocals in some tracks.
"Vocem For Atonal Wave" is a good weird mixture of dark and revolutionnary influences reinterpreted in a personal way.
Feel the power of the dark & experimental side! (Review by NKS International)

A cross between Rock 'n' Roll, the porn, the rebellion and mockery toward mexican political figures (El Flácido Culo de Angélica Rivera our Los Pinches Gatos del Sistema) are on this disc sharp humor and dark nature.


The tracks are voiced in english and spanish, sometimes there is a mixture of words under concept by William Seward Burroughs of free association of ideas and the violation of syntax rules; for example: European, Voice, Autumn, Jazz.
















Expected that this album is the first of the group to be made in physical.

Distributed by Plataforma Records & NKS International Muzakillabel.


20 ene 2015

Deicida 69 & Deterioro Nervioso Irreversible - Synesthesia (Split).





20/01/2015 This is publication of the projects in experimental underground rock, radical rock; from argentine Deterioro Nervioso Irreversible (DNI) and from Mexico, Deicida 69. This album has been publicized by Canadian Label "Garbage Men Puking". 

The album contains six tracks, the first three are from the mexican project Deicida 69, a mix between punk-experimental/ambient. Meanwhile, DNI has released three compositions performed ultranoise a pure old school style, is to draw attention to this Argentine creative project used for this record and earned him the title of it: it is Synesthesia. 

Seals throwing this material specialize in underground rock most obscure and violent there contemporary records. Among their releases there promoters grindcore, hardcore, noise, both Garbage Men Puking as Cieliro Diystro are seals that only publish music for people prone to almost fundamentalist and fanaticism, a very radical people, is not music to please or music without concept which is in their releases. 

The links leave at the end of the post you will find many links where they can meet the work done in Garbage Men Puking.

The disc has an attractive dynamic, starting a rhythmic well made and ending with a sort of decomposition of the sound.

Deicida 69 - Peyote
Peyote is a song from Synesthesia, a split disk Deterioro Nervioso Irreversible & Deicida 69. It's a song about the use of drugs in our society.DOWNLOAD - http://deicida69-band.blogspot.mx/2015/01/deicida-69-deterioro-nervioso.html
Posted by Deicida 69 on martes, 1 de diciembre de 2015

A lo largo de más de 50 años la música popular experimentó un ciclo que en la actualidad se encuentra en retroceso. 
El rock nace en el segundo tercio del siglo XX como un ejercicio de músicos independientes, emerge en un tiempo donde no existía la “industria musical”, donde se transfería de boca en boca. Sus semillas (diseminadas en los campos de algodón por las víctimas del esclavismo, por los hombres de color cuando la piel justificaba la riqueza y la ruina); los cantos… los cantos de los peones en los campos de algodón. Los cantos no atendidos por el patrón y su escopeta, los cantos como mugidos de mulas, los cantos que los desheredados practicaban para comunicarse, para hablar de su día a día, para invitar al sexo por la noche, a beber en el hoyo, a escapar del campo de cosecha que era el campo de exterminio de los pobres. 
De esos cantos nace el blues, el jazz, el rock. La música de los humanos hambrientos, de quien suda trabajando. 
Llegó la industria musical. Creó el chiste del pobre que gracias a su talento trasciende su clase social convirtiéndose en el ser exitoso capaz de lograr lo que el trabajo de toda una vida en campo o en la fábrica no le hubiera podido otorgar. A ese chiste se le llamó Rock Star. 
La imagen, las marcas, la fotografía, las mujeres, la profesionalidad, las discográficas, las salas de conciertos, los fans, y un largo etcétera sirvió para romper el anonimato del rock. Se admiró a los rostros, se crearon personajes ridículos que durante décadas se entregaron a empresarios mentecatos obstinados en demoler la roca que buscaba raspar las carreteras. Se entregaron como la prostituta para lograr grabar en estudio, publicar un disco, conseguir un concierto. 
Esa cultura decadente del rock está hoy en retroceso. Los artistas independientes están matando la oxidada industria musical. Regresa el anonimato entre nuestras jubilosas carcajadas a los ídolos, a los que aspirantes a ser manada, a los personajes que para nosotros son bufones, a las rebabas de ese latón inútil del que jóvenes tontos aún se aferran. Quedarán varados en el mar. 
Regresa el anonimato y lanzaremos por los arcos la daga que en el futuro quemará la piel y con ella nos quemaremos también nosotros. Somos la generación de artistas más potente y productiva de los últimos 50 años. Seguimos siendo minoría. No somos músicos. Nuestra técnica, la sinestesia.